Television credits include: Casualty, Suspects, Babylon, In Deep, Inside No. Short film credits include: Prodigals, Christmas Bonusįilm credits include: To Dream, Montana, Comedown, Outside Bet, Payback Season, Anuvahood, Everywhere & Nowhere, Jack Falls, Outside Bet, Victim, 4321, Bonded By Blood, Shank, Adulthood, Wilderness, Sugarhouse Lane, Kidulthood, Don't Stop Dreaming, Ali G In Da House, Face, Fever Pitch
Television credits include: Witless 1, 2 & 3,Trollied 4, 5, 6 & 7 Christmas Special, Loaded, DCI Banks, Moving On 7,Doctor Who, Death In Paradise, Bedlam, Midsomer Murders, The Big Picture (Pilot), The Job Lot (Pilot), Casualty, Doctors, Emmerdale, Gavin And Stacey, Stuck, Totally Frank, Hex, Doctors, King Crusades, Ramesses Ii: Mystery In The Valley Of The Kings, Wannabes Theatre credits include: State Red (Hampstead Theatre), The History Boys (National Theatre, US Tour & Broadway), Talking Loud (Latchmere Theatre)įilm Credits include: Genesis, The Lady In The Van, Pleasure Island, Betsy & Leonard, Highlight, The History Boys
Writing credits include: Irish Micks And, 10 Dates With Mad Mary, War Paint Presenting credits include: Irish In Wonderland Television credits include: Sherlock, Lovesick, Stella, Undercover, Asylum, Unforgotten, The Centre, Damned, Metal Heart, Action Team. I don't try to change myself for other people.Debbie Hicks & Jesse Romain in association with Kings Head Theatre and Park Theatre present the World Premiere of
DUBPLATE DRAMA SEASON 3 TV
Credits include Dubplate Drama (Channel 4/E4/MTV Base) September 11th (Film4) and TV Film Cyberbullying (ITV). Will they be able to keep it together for one night or will the influe. Television, Meet The Adebanjos (Season 3). I'd always much rather be second choice on anything because it makes you work harder. The Fam is in tatters but are reuniting for the label bosses daughters birthday party. I wouldn't say that I'm a jack-of-all-trades, master of none, but I wouldn't say that I'm brilliant at any. I think it's important that we have a new batch of British film-makers that aren't doing the same old stuff. I just started to write because I was fed up of not seeing the stories that I wanted, so I was like 'Stop moaning and write something.' I don't like doing things that are too easy. I couldn't tell you the ratio, but probably for every job you see me do, there would be 20 rejections. They want me to do 'hood films and be the guy swinging baseball bats and saying 'Yo Blood' and beating up others in the street. I did 'Kidulthood' and 'Adulthood,' and that's what people wanted and expect me to always do. There is in that film, too, but it's out of sequence. 'Pulp Fiction' blew my mind beforehand, I'd watch films and there was a beginning, middle and an end, and that's it. I was offered and accepted a part in 'A Few Best Men,' and then the Australian actor's union argued that there were too many British actors. I grew up on my own, as an only child, so early on I think I was quite capable of making decisions by myself and being an individual. I think that's important for all ages, to not be afraid of being an individual. But I'm happy to play roles that I'm given, and I'm happy to play roles that I write. I don't think I'm egotistical, and I know what my limits are: I'm a black guy who's probably losing his hair.
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